
I came across this kid while taking pictures of his residence, one of the tallest apartment buildings in all of Nicaragua at about 4 stories. The building's size and style caught my eye as I blurred by on the bus. It is a vestige from before the great quake of 1972, which leveled almost all structures of significant height in the capital. 250,000 of Managua's 400,000 inhabitants were left homeless from the quake and its aftershocks. Made entirely of concrete and embellished with some wood for windows, the building is a massive shell. The front of the building have many open walls through which one can observe mothers and their children completing chores and watching the stream of traffic swing through the busy avenue below. Eyes pierce only a couple of feet into the windows and entrances, beyond which sunlight is stifled and meager incandescent bulbs take over. I thought the building was quite beautiful, full of simple people hoping for more. In that building people make tortillas, beans, wash clothes with their ever-laboring hands, and make jokes. The sun must send golden lines across the walls and floor as the sun strikes in past the boarding. And all day the roaring breath of the traffic below bombard the walls and plumes into the windows mixing with the wood smoke in their kitchens, though there is a slight chance they have gas stoves, though I doubt it.
Surely, the child is as curious as I am of him. During the several minutes in which I took pictures of his side of the building he never took his gaze off of me. This is typical of the children I encountered in Nicaragua. They must wonder, why I am there, so curious, taking pictures of the place they live day in and day out. Maybe he wonders how luxurious my live must be and how much my camera cost. Or why I where my hair like a girl. Or why I am walking around alone taking pictures of buildings instead of people.